Perspectives on exhibitions and biennales
‘When Art Meets Nature’: A Joint Children’s Art Exhibition
Taoyuan Museum of Fine Arts and National Gallery Singapore
Explore JKT Art Hub
Art galleries in Jakarta
What do I know? I'm 'Sitting on the Fence'
Lyrical responses to Genevieve Leong’s solo show
Review of ‘POLLINATION IV: the palms of y/our hands’
Holding Memory and Migration
Review: These Paper Boots are Kicking in Chicago
Lê Hiền Minh’s Parallel to Hell at Co-Prosperity, Chicago
Review of ‘A Conversation with the Sun’
7th Bangkok Experimental Film Festival
Review of ‘Construction in Every Corner’
NTU Museum writing competition winning entry
Anita Magsaysay-Ho and Nena Saguil’s Rendezvous
Material Inspirations at the Metropolitan Museum of Manila
“Worlding” Rethought: A Review of ‘Worldly Dis-position’
Curated by Zulkhairi Zulkiflee
What Makes a Compelling Institutional Solo Exhibition?
Reviewing the SG Artist series at NGS
The SG Artist Series at NGS
Kim Lim, Teo Eng Seng, Lim Tze Peng
2024 Asian Art Biennial ‘How to Hold Your Breath’
Complex connections and migratory histories
Review of ‘The Curious Adventure of Madame Điềm’s Modules’
Điềm Phùng Thị's sculptures at The Outpost Art Organisation, Hanoi
Review of ‘Primate Visions: Macaque Macabre’ by Natasha Tontey
Commissioned by Audemars Piguet Contemporary, presented at Museum MACAN
Melissa Tan’s ‘Parts, Shared & Allotted Portions’ at Haridas Contemporary
Among the artist’s most compelling sculptures
Foreigners Among Us: Review of ‘The Spirits of Maritime Crossing’
Curated by Dr. Apinan Poshyananda
ICAD 14: Unexpected
An immersive interdisciplinary collaboration
Singapore Gallery Month
AGAS rebrands Singapore Gallery Weekend
Kimberly dela Cruz and Hannah Reyes Morales Capture the Filipino Strongman
2023 World Press photographs
‘nostalgia for unity’: death and rebirth
Korakrit Arunanondchai at Bangkok Kunsthalle