Perspectives on exhibitions and biennales
The Plantation is Not Past but Prologue
Refusing historical closure, treating plantation system
Preview of Thailand Biennale Phuket 2025
Six artists give a teaser of what to expect
Language and the Right of Refusal
Review of The Speaking Space
Making Art for Children: ‘When Art Meets Nature’
Chen Po-I, Soh Ee Shaun, Tan Zi Xi, Yenting Hsu, and Zul Mahmod
‘When Art Meets Nature’: A Joint Children’s Art Exhibition
Taoyuan Museum of Fine Arts and National Gallery Singapore
Explore JKT Art Hub
Art galleries in Jakarta
Review of ‘POLLINATION IV: the palms of y/our hands’
Holding Memory and Migration
Review: These Paper Boots are Kicking in Chicago
Lê Hiền Minh’s Parallel to Hell at Co-Prosperity, Chicago
Artists at the 2025 Taoyuan International Art Award Exhibition
Taoyuan Museum of Fine Arts
Review of ‘A Conversation with the Sun’
7th Bangkok Experimental Film Festival
2025 Taoyuan International Art Award Exhibition
Red Eagle Sangmorakot: No More Hero In His Story wins the Grand Prize
Review of ‘Construction in Every Corner’
NTU Museum writing competition winning entry
Anita Magsaysay-Ho and Nena Saguil’s Rendezvous
Material Inspirations at the Metropolitan Museum of Manila
“Worlding” Rethought: A Review of ‘Worldly Dis-position’
Curated by Zulkhairi Zulkiflee
What Makes a Compelling Institutional Solo Exhibition?
Reviewing the SG Artist series at NGS
The SG Artist Series at NGS
Kim Lim, Teo Eng Seng, Lim Tze Peng
2024 Asian Art Biennial ‘How to Hold Your Breath’
Complex connections and migratory histories
Review of ‘The Curious Adventure of Madame Điềm’s Modules’
Điềm Phùng Thị's sculptures at The Outpost Art Organisation, Hanoi
Review of ‘Primate Visions: Macaque Macabre’ by Natasha Tontey
Commissioned by Audemars Piguet Contemporary, presented at Museum MACAN
Melissa Tan’s ‘Parts, Shared & Allotted Portions’ at Haridas Contemporary
Among the artist’s most compelling sculptures