Perspectives on exhibitions and biennales
Conversing with the said and unsaid
Notes on Geloy Concepcion’s Things You Wanted to Say But Never Did
Inhabiting Inherited Images
Vân-Nhi Nguyễn’s One Hundred Years of Happiness
What Travels with an Image?
Timoteus Anggawan Kusno at Mori Art Museum
10th Singapore International Photography Festival
DECK Photography Art Centre celebrates 18 years of SIPF
Curation as Tinkering
How Yancheng Art Festival Reimagines Everyday Life Through Ethical Experimentation
Editor’s Notes: Exhibitions in Seoul
Art Sonje Center, sangheeut, YPC Space, Yuryeong
Who Among Us Can Ever Return Home?
Jakkai Siributr at Canal Projects, New York
Review of ‘On the cusp’
NTU Museum writing competition 2026 winning entry
Review of ‘Two Who Remember the Sea’ in SB2025
Apichatpong Weerasethakul and Guo-Liang Tan’s collaboration
‘From One Sky to Another’ at Haridas Contemporary
Melissa Tan’s return to painting
The Essence of Singapore Art Week 2026
Starting the year with a best foot forward
Review of Singapore Biennale 2025: pure intention
Detours to Lucky Plaza and 20 Anderson Road
Preview of The Print Show & Symposium 2026
A Singapore Art Week Debut
Review of Bukhara Biennial
Successful debut of the first international art biennial in Uzbekistan
Review: Diplomacy and Desire
Basoeki Abdullah in Singapore at NGS
Taipei Art Week 2025 Report
Public-private initiatives, collector-founded spaces, and artistic gatherings
The Plantation is Not Past but Prologue
Refusing historical closure, treating plantation system
Preview of Thailand Biennale Phuket 2025
Six artists give a teaser of what to expect
Language and the Right of Refusal
Review of The Speaking Space
Making Art for Children: ‘When Art Meets Nature’
Chen Po-I, Soh Ee Shaun, Tan Zi Xi, Yenting Hsu, and Zul Mahmod