My Own Words Excerpt Analysis
Thematic essays on topics of interest

How can art be used to build alternative pedagogies?
Thinking through alterity with NUS Museum, External Assessment Summer School, and The Artists Village

The Printed Page: Fine Arts Press and the Publishing of ART and AsiaPacific in Australia (1993-2003)
Australia’s contribution to the idea of “Asian" or “Asia Pacific” art through print

Rethinking Repatriation: New Beginnings, Not an End
Systemic and policy issues surrounding repatriation

Cockroach NIMBY: Outdoor Curating in Thailand
Preecha Raksorn and Gallery 1984+1

Art Therapy Programmes in Museums
Workshops, Collections and Audio Guides in Singapore and Hong Kong

Off the Beaten Track
A discovery of unconventional art spaces in Singapore

The Versatility of Video Art in Singapore
Diverse, interdisciplinary and heartfelt

Digital Spaces: Entry Points Into the Southeast Asian Net Culture and Rave Scenes
Anthology of Metaverses and more

In the Philippines, Photographs of Tenderness Help Us Not to Look Away
Hannah Reyes Morales, Geloy Concepcion, JL Javier

Three Brief Notes on an Equatorial Theme: Exploring the Tropical Imaginary in Recent Singapore Art
Kent Chan, Donna Ong, Zarina Muhammad, Joel Tan, Zachary Chan

Integrating Performance Art and Technology
Case Study: Feelers

Indonesian Third Culture Artists
Inside Out/ Outside In at Art Agenda, JKT

Soundless Worlds: ‘Aesthetics of Silence’
Wei-Ling Gallery features Ivan Lam, Melati Suryadarmo, Arin Rungjang et al.

One Year On: Support Measures for Artists
A Look in Singapore and Indonesia

Modern Southeast Asian Artists of Note
Kim Lim, Pacita Abad, IGAK Murniasih and more.

From Gwangju to the Globe
Solidarity in Contemporary Korean Art

The Rise of Alternative Art Biennials
Womanifesto, Bangkok Biennial, Kamias Triennial, Power Play SG

How Can Art Biennials Continue to be Relevant?
Southeast Asian instigators offer their opinions

NFTs: The Good, The Bad, The Uncertain Future
Southeast Asian artists experiment with digital artworks

Nổ Cái Bùm in Huế and Đà Lạt
Art as Non-Structural Mitigation in Central Vietnam