Perspectives on exhibitions and biennales
Curation as Tinkering
How Yancheng Art Festival Reimagines Everyday Life Through Ethical Experimentation
Editor’s Notes: Exhibitions in Seoul
Art Sonje Center, sangheeut, YPC Space, Yuryeong
Review of Bukhara Biennial
Successful debut of the first international art biennial in Uzbekistan
Taipei Art Week 2025 Report
Public-private initiatives, collector-founded spaces, and artistic gatherings
Making Art for Children: ‘When Art Meets Nature’
Chen Po-I, Soh Ee Shaun, Tan Zi Xi, Yenting Hsu, and Zul Mahmod
‘When Art Meets Nature’: A Joint Children’s Art Exhibition
Taoyuan Museum of Fine Arts and National Gallery Singapore
Artists at the 2025 Taoyuan International Art Award Exhibition
Taoyuan Museum of Fine Arts
2025 Taoyuan International Art Award Exhibition
Red Eagle Sangmorakot: No More Hero In His Story wins the Grand Prize
2024 Asian Art Biennial ‘How to Hold Your Breath’
Complex connections and migratory histories
Compatriots Everywhere: Venice Biennale 2024
Foreigners Everywhere highlights overlooked artists, many from Southeast Asia
A Touch from the Abyss: Nguyễn Trinh Thi at documenta fifteen
A landscape connecting Kassel and Tam Đảo
The First Audemars Piguet Art Commission in Asia
‘The Moon is Leaving Us’ by Phoebe Hui
Cao Fei ‘Isle of Instability’
Audemars Piguet Contemporary at West Bund Art & Design
'On the Nature of Botanical Gardens' at Framer Framed
Contemporary Indonesian art curated by Sadiah Boonstra
Review of 2019 Asian Art Biennial
The Strangers from Beyond the Mountain and the Sea