Perspectives on exhibitions and biennales
Review of ‘Where there is there — there is here’: Dirt, Bamboo, and Human Hands
Nguyen Duc Phuong and Đàn Đó at the Vincom Centre for Contemporary Art
Review of ‘Kim Lim: Carving and Printing’
Imprinting a legacy at Tate Britain
‘Shaping Visions’ at STPI Gallery
Honouring past recipients of the Cultural Medallion
Review of ‘Lost in Parody’
Virtually encountering the images of Eko Nugroho
Review of ‘Rindu Bayangan’ at Rissim Contemporary
Solo by prolific Malaysian painter Samsudin Wahab
Emmanuel Tolentino Santos ‘Shadow Earth’ at Art Porters Gallery
Looking at our planet with fresh eyes
‘A Decade Apart / Together’ at Richard Koh Fine Art
Bringing together two groups of Singaporean artists
Review of 'Turning the Axis of the World' at STPI
Curator Tan Siuli on creative agency in uncertain times
Review of Cao Fei’s ‘Fu Cha’
Navigating choppy seas in a global pandemic
Review of ‘The Breathing Tube’ (Ống Thở)
Curated by Nguyễn Thế Sơn at VUUV, Hanoi
A+ Works of Art Celebrates 3rd Birthday
Online Festival of Video Art, Ready but Postponed or Cancelled, Figure-proof
Review of ‘How to Desire Differently’
Creating context for transformation
Still in Flight: Khairullah Rahim
Gathering of Flocks finds new directions
Traumatising Matter: JC Jacinto's Plastiglomerate Art as Miniaturised Catastrophes
Pessimistic ravings on Forced Passage at ArtInformal
Review of ‘Necessary Fictions’
Tammy Nguyễn and Hà Ninh Phạm at The Factory
Review of ‘Art – Spaces – Us’: Urgent Voices from Liminal Spaces
Young Burmese artists claim space beyond gallery walls
We Certainly Shall Not Forget
Confronted histories in the works of Jakkai Siributr
As Above, So Below: Loi Cai Xiang
Bodies mirrored in society for a world in flux
Online Graduation Shows in Southeast Asia
Art schools adapt to COVID-19
Review of Latiff Mohidin: Pago Pago
Comprehensive show at National Gallery Singapore