Perspectives on exhibitions and biennales
Bondage, Submission, and Exploitative Capitalism
Review of selected works by Kawita Vatanajyankur
‘Clouds’ by Wah Nu at Richard Koh Fine Art
Myanmar artist solo at RKFA Singapore
Review of Thaiwijit Poengkasemsomboon's ‘The Leftover’
Gallery Ver and Artist+Run at art complex N22 in Bangkok
We Are Not Alone In This World
Power and discourse in the work of Piyarat Piyapongwiwat
'On the Nature of Botanical Gardens' at Framer Framed
Contemporary Indonesian art curated by Sadiah Boonstra
‘Constructions of Truths’ at MCAD Manila
Proposing alternative ways of seeing
'SUPER-TRAJECTORY' at Tainan Art Museum
New media art exhibition co-curated by tamtamART and INTER-MISSION
Review of Apichatpong Weerasetakul’s ‘Almost Fiction’
New photographic work at Gallery Seescape
IMPART Collectors’ Show 2020
‘Material Agendas’ from private collections
Yinka Shonibare's 'Justice for All' in Singapore
Asian Art Institutum, Stephen Friedman Gallery and The Arts House
Guillaume Levy-Lambert’s ‘Le Secret Sacré’
Divine providence and Khmer King Jayavarman VII
Review of ‘Điềm Mờ (Opaque Signs)’ at Sàn Art
Fundraising show of light-based installations in Ho Chi Minh City
Review of Singapore Biennale 2019
Models of change at NGS and LASALLE sites
ILHAM collaborations with The Factory and SAM
'Domestic Bliss' and 'The Body Politic and the Body'
Review of 2019 Asian Art Biennial
The Strangers from Beyond the Mountain and the Sea
Review of ‘2219: Futures Imagined’ at ArtScience Museum
Looking 200 years into Singapore’s future
‘From Your Eyes to Ours’ at Coda Culture
Returning Gazes: Strategies and Foundations
Review of 'Shaping Geographies' at Gajah Gallery
Wulan Dirgantoro, Michelle Antoinette, and Southeast Asian women artists
Zelin Seah ‘Too Much, Too Empty’ at Richard Koh Fine Art
Spiritual reflection in the age of ennui
‘SPECTROSYNTHESIS II’ at Bangkok Art and Culture Centre
Exposure of Tolerance: LGBTQ in Southeast Asia