Perspectives on exhibitions and biennales
A Touch from the Abyss: Nguyễn Trinh Thi at documenta fifteen
A landscape connecting Kassel and Tam Đảo
An Archive Unfolds: ‘No more, not yet’
Nguyễn Thị Thanh Mai and friends at Nguyen Art Foundation
The Feverish Catastrophic Worlds of Charlie Co
System Corrupted at Finale Art File
‘Fragility Game’
A creative response to Singapore Biennale: Natasha
Heman Chong’s ‘Labyrinths (Libraries)’ at ROH
Conceptual gestures, unread books and situations
Abstract at the In-Between: ‘Khúc LACHRIMAE’
Hoàng Dương Cầm at Galerie Quynh
Review of ‘Nothing is Forever’ at NGS
A welcomed shift in curatorial sensibility
Review of ‘MENTAL: Colours of Wellbeing’
Thoughts from an emerging art therapist
Ceci n’est pas le Vietnam (This is Not Vietnam)
‘TÔI & MOI', a solo exhibition by Trần Trọng Vũ
‘Weaving Women’s Words on Wounds of War’
Ateneo Art Gallery in Manila
Melati Suryodarmo: ‘Why Let the Chicken Run’
Museum MACAN
Remembering and Persevering in Rodel Tapaya’s ‘May Tenga Ang Lupa’
The Drawing Room
Quỳnh Lâm at Rituals and Rebirths
Peruke Projects and A.I. Gallery
Yeo Tze Yang at FOST Gallery
In search of the truth
Vanessa Liem at Cuturi Gallery
Water bodies in For the Time Being
Review of ‘Second Movement’
15 Years with 21 Artists at STPI - Creative Workshop & Gallery
Not News
Lai Yu Tong at DECK
‘Han Sai Por: The Forest and Its Soul’
Singaporean sculptor’s second solo exhibition at STPI
Review of Art and Market Small Rooms
Jevon Chandra, Khor Ting Yan, and Samuel Xun
Undescribed #7
Hong Shu-Ying, Jomel, Rachel Cheng, Ryan Lim Zi Yi and Sarah Lin