Perspectives on exhibitions and biennales
‘Weaving Women’s Words on Wounds of War’
Ateneo Art Gallery in Manila
Melati Suryodarmo: ‘Why Let the Chicken Run’
Museum MACAN
Remembering and Persevering in Rodel Tapaya’s ‘May Tenga Ang Lupa’
The Drawing Room
Quỳnh Lâm at Rituals and Rebirths
Peruke Projects and A.I. Gallery
Yeo Tze Yang at FOST Gallery
In search of the truth
Vanessa Liem at Cuturi Gallery
Water bodies in For the Time Being
Review of ‘Second Movement’
15 Years with 21 Artists at STPI - Creative Workshop & Gallery
Not News
Lai Yu Tong at DECK
‘Han Sai Por: The Forest and Its Soul’
Singaporean sculptor’s second solo exhibition at STPI
Review of Art and Market Small Rooms
Jevon Chandra, Khor Ting Yan, and Samuel Xun
Undescribed #7
Hong Shu-Ying, Jomel, Rachel Cheng, Ryan Lim Zi Yi and Sarah Lin
'The Story of Two Presses' by artcommune gallery & AC43 Gallery
Foregrounding the rich history of printmaking in Singapore
‘The Tailors and The Mannequins: Chen Cheng Mei and You Khin’
Debut presentation at ‘Dalam Southeast Asia’
IYKYK
Samuel Xun’s AMSR, I’m Exhausted, Where is he
Trying to Read Between the Lines
Samuel Xun’s AMSR, I’m Exhausted, Where is he
EXCERPTS FROM A FIRST DATE
Samuel Xun’s AMSR, I’m Exhausted, Where is he
Honouring the Ordinary
Khor Ting Yan’s AMSR, it is light and stackable
Re: (-producing, -membering, -looking) it is light and stackable
Khor Ting Yan’s AMSR, it is light and stackable
An Ode to the Monobloc Chair: Symbol of Comfort, Relationships, and Consumerism
Khor Ting Yan’s AMSR, it is light and stackable
An Ode to Truth Which Binds Us All
Jevon Chandra’s AMSR, The Faraway Nearby