Perspectives on exhibitions and biennales
‘Han Sai Por: The Forest and Its Soul’
Singaporean sculptor’s second solo exhibition at STPI
Review of Art and Market Small Rooms
Jevon Chandra, Khor Ting Yan, and Samuel Xun
Undescribed #7
Hong Shu-Ying, Jomel, Rachel Cheng, Ryan Lim Zi Yi and Sarah Lin
'The Story of Two Presses' by artcommune gallery & AC43 Gallery
Foregrounding the rich history of printmaking in Singapore
‘The Tailors and The Mannequins: Chen Cheng Mei and You Khin’
Debut presentation at ‘Dalam Southeast Asia’
IYKYK
Samuel Xun’s AMSR, I’m Exhausted, Where is he
Trying to Read Between the Lines
Samuel Xun’s AMSR, I’m Exhausted, Where is he
EXCERPTS FROM A FIRST DATE
Samuel Xun’s AMSR, I’m Exhausted, Where is he
Honouring the Ordinary
Khor Ting Yan’s AMSR, it is light and stackable
Re: (-producing, -membering, -looking) it is light and stackable
Khor Ting Yan’s AMSR, it is light and stackable
An Ode to the Monobloc Chair: Symbol of Comfort, Relationships, and Consumerism
Khor Ting Yan’s AMSR, it is light and stackable
An Ode to Truth Which Binds Us All
Jevon Chandra’s AMSR, The Faraway Nearby
Jevon Chandra’s AMSR, ‘The Faraway Nearby’
Jevon Chandra’s AMSR, The Faraway Nearby
An Afternoon of Reconciliation
Jevon Chandra’s AMSR, The Faraway Nearby
Ivan David Ng Solo
Roads Around a Mountain – The World is Quiet Here
‘Staggered Observations of a Coast’ at STPI
Charles Lim Yi Yong examines land reclamation in Singapore
‘Something Similar’
Chua Chye Teck and Liu Liling at starch
Review of ‘Ekuilibrium: Karya dan Pikiran Rita Widagdo’
Selasar Sunaryo Art Space and Bale Project
Seeing the Forest For the Trees
Ang Song Nian, Woong Soak Teng, Fitri Ya’akob
Review of ‘Orchestral Manoeuvres’
ArtScience Museum 10th anniversary exhibition celebrating sound