Perspectives on exhibitions and biennales
Review of ‘How to Desire Differently’
Creating context for transformation
Still in Flight: Khairullah Rahim
Gathering of Flocks finds new directions
Traumatising Matter: JC Jacinto's Plastiglomerate Art as Miniaturised Catastrophes
Pessimistic ravings on Forced Passage at ArtInformal
Review of ‘Necessary Fictions’
Tammy Nguyễn and Hà Ninh Phạm at The Factory
Review of ‘Art – Spaces – Us’: Urgent Voices from Liminal Spaces
Young Burmese artists claim space beyond gallery walls
We Certainly Shall Not Forget
Confronted histories in the works of Jakkai Siributr
As Above, So Below: Loi Cai Xiang
Bodies mirrored in society for a world in flux
Online Graduation Shows in Southeast Asia
Art schools adapt to COVID-19
Review of Latiff Mohidin: Pago Pago
Comprehensive show at National Gallery Singapore
Bondage, Submission, and Exploitative Capitalism
Review of selected works by Kawita Vatanajyankur
‘Clouds’ by Wah Nu at Richard Koh Fine Art
Myanmar artist solo at RKFA Singapore
Review of Thaiwijit Poengkasemsomboon's ‘The Leftover’
Gallery Ver and Artist+Run at art complex N22 in Bangkok
We Are Not Alone In This World
Power and discourse in the work of Piyarat Piyapongwiwat
'On the Nature of Botanical Gardens' at Framer Framed
Contemporary Indonesian art curated by Sadiah Boonstra
‘Constructions of Truths’ at MCAD Manila
Proposing alternative ways of seeing
'SUPER-TRAJECTORY' at Tainan Art Museum
New media art exhibition co-curated by tamtamART and INTER-MISSION
Review of Apichatpong Weerasetakul’s ‘Almost Fiction’
New photographic work at Gallery Seescape
IMPART Collectors’ Show 2020
‘Material Agendas’ from private collections
Yinka Shonibare's 'Justice for All' in Singapore
Asian Art Institutum, Stephen Friedman Gallery and The Arts House
Guillaume Levy-Lambert’s ‘Le Secret Sacré’
Divine providence and Khmer King Jayavarman VII