Perspectives on exhibitions and biennales
IMPART Collectors’ Show 2020
‘Material Agendas’ from private collections
Yinka Shonibare's 'Justice for All' in Singapore
Asian Art Institutum, Stephen Friedman Gallery and The Arts House
Guillaume Levy-Lambert’s ‘Le Secret Sacré’
Divine providence and Khmer King Jayavarman VII
Review of ‘Điềm Mờ (Opaque Signs)’ at Sàn Art
Fundraising show of light-based installations in Ho Chi Minh City
Review of Singapore Biennale 2019
Models of change at NGS and LASALLE sites
ILHAM collaborations with The Factory and SAM
'Domestic Bliss' and 'The Body Politic and the Body'
Review of 2019 Asian Art Biennial
The Strangers from Beyond the Mountain and the Sea
Review of ‘2219: Futures Imagined’ at ArtScience Museum
Looking 200 years into Singapore’s future
‘From Your Eyes to Ours’ at Coda Culture
Returning Gazes: Strategies and Foundations
Review of 'Shaping Geographies' at Gajah Gallery
Wulan Dirgantoro, Michelle Antoinette, and Southeast Asian women artists
Zelin Seah ‘Too Much, Too Empty’ at Richard Koh Fine Art
Spiritual reflection in the age of ennui
‘SPECTROSYNTHESIS II’ at Bangkok Art and Culture Centre
Exposure of Tolerance: LGBTQ in Southeast Asia
Melissa Tan at Richard Koh Fine Art
Sculptures and installation in ‘Under the Arched Sky’
Preview of Singapore Biennale 2019
Every Step in the Right Direction
Trần Trọng Vũ 'The Already Seen Never Seen' at Vin Gallery
Perspective of a Vietnamese artist in Paris
Review of ‘RIFTS’ at Bangkok Art and Culture Centre
Multiplicities of contemporary artistic practices in Thailand
Review of 'Longings / 寄望 / Jiwa'
Boedi Widjaja and Fyerool Darma at Temenggong Road
Yellow Ambiguities' at Ateneo Art Gallery
Colouring the lens of Filipino art history
Faris Nakamura Solo at Richard Koh Fine Art
Singapore artist explores politics and poetics of space
Luke Heng 'AL/linum' at A+ Works of Art
Collaboration with NRM