Perspectives on exhibitions and biennales
Review of ‘The Curious Adventure of Madame Điềm’s Modules’
Điềm Phùng Thị's sculptures at The Outpost Art Organisation, Hanoi
Review of ‘Primate Visions: Macaque Macabre’ by Natasha Tontey
Commissioned by Audemars Piguet Contemporary, presented at Museum MACAN
Melissa Tan’s ‘Parts, Shared & Allotted Portions’ at Haridas Contemporary
Among the artist’s most compelling sculptures
Foreigners Among Us: Review of ‘The Spirits of Maritime Crossing’
Curated by Dr. Apinan Poshyananda
ICAD 14: Unexpected
An immersive interdisciplinary collaboration
Singapore Gallery Month
AGAS rebrands Singapore Gallery Weekend
Kimberly dela Cruz and Hannah Reyes Morales Capture the Filipino Strongman
2023 World Press photographs
‘nostalgia for unity’: death and rebirth
Korakrit Arunanondchai at Bangkok Kunsthalle
35th Bienal de São Paulo 2023 and 60th Venice Biennale 2024
Indigenous narratives in contemporary art
Compatriots Everywhere: Venice Biennale 2024
Foreigners Everywhere highlights overlooked artists, many from Southeast Asia
Review of Song-Ming Ang's 'Untitled'
Recent currents of a multi-disciplinary practice at starch
Review of ‘Meditations on Shadow Libraries’ at STPI
A comprehensive showcase of Heman Chong’s interests in forms of knowledge and their dissemination
Last Few Weeks: Gallery Children’s Biennale 2023
Arahmaiani, Fadilah Karim, Ly Yeow and more at National Gallery Singapore
Singapore Art Week 2024
Objectifs, 42 Waterloo Street, GRiD, Gillman Barracks, Singapore Art Museum, Tanjong Pagar Distripark
Review of ‘A VILLAGE BEFORE US’
Nine Vietnamese artists at John David Mooney Foundation, Chicago
‘Which is Which?’ At Gajah Gallery
A Survey of Artists from LASALLE & NAFA
Alvin Zafra’s Urban Spectres
The Passerby at Artinformal Gallery
RESIDUAL: Lee Wen & Jason Wee
The Institutum project exploring friendship and artistic kinship
‘21 Years: A Story in Multiple Parts’ at STPI
Celebrating artistic collaboration, and ‘PRINT / PAPER UNLIMITED’
‘Notes From the Ether: From NFTs to AI’ at ArtScience Museum
Deborah Lim and Clara Peh on the state of digital art