Perspectives on exhibitions and biennales
‘Notes From the Ether: From NFTs to AI’ at ArtScience Museum
Deborah Lim and Clara Peh on the state of digital art
Benchmarks: The First Public Art Trail in Singapore’s Civic District
Punctuation marks as a visual metaphor
The Vessels of Pam Santos
Review of contain at MO_Space in Manila
#GalleryHoppping at Singapore Art Gallery Weekend
Island-wide event by Art Galleries Association Singapore
‘Being Made’ at Art Agenda
Sculptures by Brother Joseph McNally and Shui Tit Sing
“Perhaps by depravity he actually meant tenderness”
A review of Joshua Kon’s Rarely Touched, Often Held
How Do You Read?
Library (Anthology for Beginners) by Trong Gia Nguyen
Julius Baer Next Generation Art Prize Virtual Showcase
Digital disruption, future cities and sustainability
A Touch from the Abyss: Nguyễn Trinh Thi at documenta fifteen
A landscape connecting Kassel and Tam Đảo
The Feverish Catastrophic Worlds of Charlie Co
System Corrupted at Finale Art File
‘Fragility Game’
A creative response to Singapore Biennale: Natasha
Heman Chong’s ‘Labyrinths (Libraries)’ at ROH
Conceptual gestures, unread books and situations
Abstract at the In-Between: ‘Khúc LACHRIMAE’
Hoàng Dương Cầm at Galerie Quynh
Review of ‘Nothing is Forever’ at NGS
A welcomed shift in curatorial sensibility
Review of ‘MENTAL: Colours of Wellbeing’
Thoughts from an emerging art therapist
Ceci n’est pas le Vietnam (This is Not Vietnam)
‘TÔI & MOI', a solo exhibition by Trần Trọng Vũ
‘Weaving Women’s Words on Wounds of War’
Ateneo Art Gallery in Manila
Melati Suryodarmo: ‘Why Let the Chicken Run’
Museum MACAN
Remembering and Persevering in Rodel Tapaya’s ‘May Tenga Ang Lupa’
The Drawing Room
Quỳnh Lâm at Rituals and Rebirths
Peruke Projects and A.I. Gallery