Perspectives on exhibitions and biennales
Review of 'Peace Prosperity And Friendship With All Nations' at STPI Gallery
Heman Chong puts painting at the service of the mind
Review of 'Work-in-Progress' at SEED The Art Space
Unpacking development in Southeast Asia through video art
Review of ‘Progressive Disintegrations’ at Objectifs
Chua Chye Teck, Hilmi Johandi and Wei Leng Tay in Singapore
‘Thinh’ by Vietnamese artist Dao Chau Hai
Finding a pure sculptural language at Manzi Art Space
The Body as a Dream: A Singapore Art Story
Juxtaposing the modern and contemporary
Review of ‘Considered Gestures’ at Silverlens Galleries
Redefining Filipino non-representational art
IMPART Collectors' Show 2021 Goes Digital
‘Leap of Faith’ by Art Outreach Singapore brings new insights on collecting art
Review of ‘Volume Eleven’ at Richard Koh Fine Art
Unpacking identities through geometric abstraction with Ash Ghazali
‘Bread Crumbs’ at Richard Koh Fine Art
Joshua Kane Gomes and Sarah Radzi
Review of 'Georgette Chen: At Home in the World'
Major retrospective of a key figure in Singapore modern art
Khmer Artist Vandy Rattana ‘Monologue Trilogy’
In Planetary Solidarity by Terremoto
‘Strange Forms of Life’ at STPI Gallery
Artist and curator Guo-Liang Tan examines the abstract in Singaporean group show
10 Years On with Richard Koh Fine Art Singapore
‘In Our Own Frame’ celebrates Southeast Asian artists
Visiting the Yeap Lam Yang Collection
The Joy of Collecting at The Private Museum
Review of Mong Bich's 'Between Two Centuries'
Debut solo exhibition by overlooked female painter from Hanoi
'Navigating Entropy' at Gajah Gallery
Celebrating collaborations with Yogyakarta Art Lab
Cao Fei ‘Isle of Instability’
Audemars Piguet Contemporary at West Bund Art & Design
Review of 'Unlearning' at RKFA
A glimpse of diverse voices in Vietnamese contemporary art
Review of ‘Where there is there — there is here’: Dirt, Bamboo, and Human Hands
Nguyen Duc Phuong and Đàn Đó at the Vincom Centre for Contemporary Art
Review of ‘Kim Lim: Carving and Printing’
Imprinting a legacy at Tate Britain