Perspectives on exhibitions and biennales
Kimberly dela Cruz and Hannah Reyes Morales Capture the Filipino Strongman
2023 World Press photographs
‘nostalgia for unity’: death and rebirth
Korakrit Arunanondchai at Bangkok Kunsthalle
“Perhaps by depravity he actually meant tenderness”
A review of Joshua Kon’s Rarely Touched, Often Held
Melati Suryodarmo: ‘Why Let the Chicken Run’
Museum MACAN
Remembering and Persevering in Rodel Tapaya’s ‘May Tenga Ang Lupa’
The Drawing Room
Quỳnh Lâm at Rituals and Rebirths
Peruke Projects and A.I. Gallery
The World Begins with a ‘Borneo Heart’
Weaving with Yee I-Lann
Review of ‘Sewing Discord’ at the Esplanade
Spotlighting craft as contemporary art
‘Homecoming / Eventually’ at UP Vargas Museum
Virtual Spaces by Nontawat Numbenchapol and Ryan Villamael
Still in Flight: Khairullah Rahim
Gathering of Flocks finds new directions
Traumatising Matter: JC Jacinto's Plastiglomerate Art as Miniaturised Catastrophes
Pessimistic ravings on Forced Passage at ArtInformal
Review of ‘Necessary Fictions’
Tammy Nguyễn and Hà Ninh Phạm at The Factory
Review of ‘Art – Spaces – Us’: Urgent Voices from Liminal Spaces
Young Burmese artists claim space beyond gallery walls