Hzone, the Context Maker
Bridging art, technology and societal discourse
We Are Always Already Translating
Beyond linguistic uniformity
"World" as Performance and Confabulation
NTU CCA Singapore Artists-in-Residence Programme and “world”
Jasper Johns, the White Whale
Target Paintings to Moby Dick
Thinking / Doing in Terms: Grounding Art in/and the Community
Project Space Pilipinas, Grounding Art in/and the Community
On Championing Our Southeast Asian Voice
The Substation, Objectifs, SGIFF and ArtsEquator
expensive to be poor
A fluid art platform
Unhistoried; Archiving Vernacular Memories
Micro narratives from the New Order era
SOE 2023: We Trade Everything
Second edition of art festival in Khon Kaen
Women Artists in Community
Kasibulan, Womanifesto and women artists
Old Wound, New Words: Reflections on Researching, Writing, and Curating from Australia
On changing the terms of visibility and finding new words
In Service of Art
Charting 20 Years of Passion, Persistence and Progress at Art Outreach
TO NEW ENTITIES
Building a digital castle and (M)across Cultures
No Place Like Home
Building a platform for East and Southeast Asian Diaspora
‘Page Break’: Postscript
Curatorial turn to art books and printed matter
What Are Artists Really Writing About?
Politics of Nashar’s Night Letters and Mohamed Salehuddin’s Our Art
Dhaka Art Summit
In Bangladesh, art pleads for LGBTQ acceptance
‘Fragmenting Yesterday, Reshaping Tomorrow’
Co-curating Indonesian Contemporary Art and Design (ICAD) 12
Curating in a Restaurant and Beyond
Building relationships between art and food at Appetite
Twelve Theses on Dissimilation
A polemic