Personal essays by practitioners
Unhistoried; Archiving Vernacular Memories
Micro narratives from the New Order era
SOE 2023: We Trade Everything
Second edition of art festival in Khon Kaen
Women Artists in Community
Kasibulan, Womanifesto and women artists
Old Wound, New Words: Reflections on Researching, Writing, and Curating from Australia
On changing the terms of visibility and finding new words
In Service of Art
Charting 20 Years of Passion, Persistence and Progress at Art Outreach
TO NEW ENTITIES
Building a digital castle and (M)across Cultures
No Place Like Home
Building a platform for East and Southeast Asian Diaspora
‘Page Break’: Postscript
Curatorial turn to art books and printed matter
What Are Artists Really Writing About?
Politics of Nashar’s Night Letters and Mohamed Salehuddin’s Our Art
Dhaka Art Summit
In Bangladesh, art pleads for LGBTQ acceptance
‘Fragmenting Yesterday, Reshaping Tomorrow’
Co-curating Indonesian Contemporary Art and Design (ICAD) 12
Curating in a Restaurant and Beyond
Building relationships between art and food at Appetite
Twelve Theses on Dissimilation
A polemic
‘Space and Non-Space: A Reflection’
The Factory Contemporary Arts Centre and Á Space for Experimental Art
10 Years of Speedy Grandma
Running an Alternative Artspace in Bangkok
Five Ways Towards Financial Wisdom for Arts Practitioners
Building a healthier relationship with money
On Popo Iskandar
Renung, The Modernist Series #2
Weaving Our Planetary Futures through Art
Power to create change
Why it may not be a good idea to use the term NFT Art
Let’s reconsider values of the arts
Is There More to Conservation?
A conservator take on research and accessibility