Personal essays by practitioners

Is There More to Conservation?
A conservator take on research and accessibility

Queerness in Motion
Queer Arts and Activism in Indonesia

A Non-Biennale Biennale
Reflecting on Thailand Biennale Korat 2021

One-Man Art Archive: The Story So Far
The Singapore Art Archive Project since 1999

Why Do Artists Curate?
Reflecting on We’re Young Once

The Womanifesto Online Anthology
Digital storytelling in the Womanifesto Online Anthology

‘Abstraction of Breathing’ in Myanmar
New media and multidisciplinary art

Beyond Trauma
On Myanmar art during the Spring Revolution 2021
![[Behind The Scenes]](https://images.squarespace-cdn.com/content/v1/67c1754c89592f0c27fddb0b/1747306969596-T5XFN7QT47LBLQUQ53LX/Sina%2BWittayawiroj%2C%2B%E2%80%98Your%2BSilence%2Bis%2BPolitical%2C%E2%80%99%2B15%2BMarch%2B2021%2C%2Bdigital%2Bpaintings.%2BImage%2Bcourtesy%2Bof%2BSina%2BWittayawiroj%C2%AE.jpeg)
[Behind The Scenes]
The “Instagrammable” resistance in Thailand

On MATCA
Conversations on Vietnamese photography

In Limbo
Between Souss-Massa and Zzyzx in Manila

Logics and Leeways
Curatorial Education and Possibilities of the Exhibitionary Form

Health-Oriented Artistic Projects
The future of our art world?

Spectrosynthesis II – Exposing Tolerance: LGBTQ Art in Southeast Asia
In Planetary Solidarity by Terremoto

On Thai Art and Politics, Never Forget
Engagement, escape routes and accountability

Cosmopolitanism as Pandemic Response
Thoughts from NTU CCA Singapore

Hanoi's response to COVID-19
Lessons for survival and long-term development

Digital Platforms and Creative Engagement
Thoughts from Jakarta on navigating uncertain times

What Could Become of the Art World
Thoughts from Singapore

The Future of International Art Residencies
Thoughts from Ho Chi Minh City