Ian’s Research Club 05: Youths In Balaclava

Bandits breaking in the Singapore fashion scene

Ian Tee, Kash, Taufyk and Izzy, at Youths In Balaclava’s studio. Photo by Jefferson Jong.

Hello and welcome to Ian’s Research Club, an A&M podcast. In each episode, I speak with guests from the visual arts community, as well as creative individuals from adjacent industries. Hosting this podcast is an extension of the long-form interviews I have been conducting, and a way of capturing the personal voice. I hope you find the conversations as generative and enjoyable as I do!

Today, I am at the studio of Youths In Balaclava (YIB), a design collective based in Singapore. YIB is a project that began while its founders were still in secondary school in Singapore. Currently, the collective comprises 12 members from a variety of backgrounds, all united by their desire for personal expression. YIB’s work is characterised by a self-taught DIY approach and the result is edgy streetwear. Staple pieces include tee shirts emblazoned with anti-propaganda imagery, or cargo trousers embellished with straps and utility pockets. However, their creative interests extend far beyond fashion as my guests Taufyk and Kash can attest to. 

We discuss YIB’s origins, the brand’s partnership with Dover Street Market Paris and their ethos to creative collaborations. You will also hear about two exciting projects YIB has in January 2022: their first runway presentation at Paris Men’s Fashion Week for Autumn-Winter 2022, as well as Twisted Paradise (2022) the sculptural display they created for the group exhibition We’re Young Once at Art Agenda


Click here to listen on Soundcloud. You can also find the podcast by searching “Ian’s Research Club” on Spotify and Apple Podcasts.

 
 

We’re Young Once is on view at Art Agenda @ 63 Spottiswoode, from 3 to 30 January 2022.

Pre-order the We’re Young Once t-shirt created by YIB Bandits here. It is exclusively available on A&M Marketplace.

Ian Tee

Ian Tee is Editor at A&M. He is interested in how learning experiences can be shared among practitioners across generations and contexts. In his writings and commissioned texts, he hopes to highlight the regional and international connections that sustain art ecosystems. Ian is also an artist whose work is concerned with the experience of seeing and how paintings are “read”. Of late, he is reflecting on what it means to practice and the forms it could take.

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Conversation with Taring Padi

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Ian’s Research Club 04: Joyce Toh